Friday, October 18, 2013

High school dude snaps this selfie with his teacher behind him IN LABOR


dude with teacher in labor. Photo: Twitter dude with teacher in labor. Photo: Twitter

On Thursday, a junior at Coral Springs High School in the sunny suburban sprawl north of Miami decided that the best thing to do when his teacher went into labor in front of class was to take a selfie of the situation — with his distressed teacher squarely in the background.


As the student, who goes by @SpideyNikka on Twitter, smiles winsomely in the foreground, his teacher is at her desk in the background clearly in the midst of a contraction. According to Miami ABC affiliate WPLG, the mother-to-be was on the phone assuring her own mother that everything was going to be okay.


Turns out, the baby was not ready to be delivered. After going to the hospital, the teacher left and returned to school later in the day.


Here are a few choice tweets concerning the viral kerfuffle:



 



 



 



 


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High school dude snaps this selfie with his teacher behind him IN LABOR


Report: Feds didn't allow testing of Obamacare site until week before launch


Mark Steyn: 'The governing institutions of the United States are utterly repulsive and disgusting'


Coulter laments GOP infighting during government shutdown [VIDEO]


President 'Two Face' Obama sings a new tune after government shutdown [VIDEO]



Source: http://news.yahoo.com/high-school-dude-snaps-selfie-teacher-behind-him-065204018.html
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Violin That Played As Titanic Sank To Go On Sale


LONDON (AP) — It's a poignant scene familiar to anyone who has watched "Titanic" — as the doomed ship slides into the icy waters, musicians perform one last time for the passengers, playing with stoic resolve until the final hour.


None of the musicians survived in the 1912 disaster in the North Atlantic, but a violin believed to be the one played by bandmaster Wallace Hartley will now go on auction.


"It is just a remarkable piece of history," said Andrew Aldridge, of auctioneer Henry Aldridge and Son. "I have been an auctioneer for 20 years, but I have never seen an item that brings out this degree of emotion in people before."


The violin, with Hartley's name on it, is believed to have been found at sea with the musician's body more than a week after the Titanic sank.


The auction house, which specializes in Titanic memorabilia, expects the violin to fetch more than 200,000 pounds (US$323,300) when it goes on sale in southern England's Wiltshire on Saturday.


Hartley and his seven fellow band members were among the 1,517 people aboard the Titanic who died after it hit an iceberg. According to some accounts, the band played the hymn "Nearer, My God, To Thee" to keep spirits up as the passengers boarded lifeboats in the early hours of April 15, 1912.


The musicians have been hailed as heroes for sacrificing their chances of escape.


"Mr. Hartley and the band were very brave people ... standing by their posts to the bitter end," Aldridge said.


The auction house said the violin has been subject to numerous tests to check its authenticity since it was discovered in 2006. It said earlier this year that the violin was Hartley's "beyond reasonable doubt."


The violin, of German make, was a gift from Hartley's fiancee Maria Robinson, and was engraved with the words "For Wallace on the occasion of our engagement from Maria." It can no longer be played, Aldridge said.


___


Sylvia Hui can be reached at http://Twitter.com/sylviahui


Source: http://www.npr.org/templates/story/story.php?storyId=236797590&ft=1&f=
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Should New CW Show 'Reign' Have Tried Harder to Get History Right?

Spend a few minutes watching the preview for The CW's lusty new drama, Reign (premiering Thursday at 9 p.m. ET), and you can see why the network's largely teen audience might like it. Reign is like Gossip Girl in corsets. Telegenic 20-somethings scheme in the name of love and power. There are alliances, and betrayals, and mean moms who just don't understand. The setting happens to be France in the mid-1500's, but oh! The idea of sex with adorable, boyish rogues is timeless!

Source: http://www.ivillage.com/cw-show-reign-historical-inaccuracies/1-a-549970?dst=iv%3AiVillage%3Acw-show-reign-historical-inaccuracies-549970
Category: Texas A&m Football   dexter   philadelphia eagles   obama   princess diana  

Thursday, October 17, 2013

'Breaking Bad's' George Mastras Inks Overall Deal With HBO




Getty Images


George Mastras



Breaking Bad's George Mastras is heading to HBO.



The producer behind AMC's dearly departed Vince Gilligan drama has inked a two-year overall deal with the premium cable network, The Hollywood Reporter has learned.


Under the two-year pact, which is exclusive in television, Mastras will develop new projects for HBO. He's also in talks to join the cabler's upcoming Mick Jagger, Martin Scorsese and Terence Winter 1970s rock 'n' roll drama. A formal deal for the latter project has not yet been secured.


STORY: Bobby Cannavale to Star in HBO's Jagger-Scorsese-Winter Rock 'n' Roll Drama


The rock 'n' roll drama, previously known as History of Music, hails from Boardwalk Empire's Winter and Scorsese, the latter of whom will direct and executive produce. Winter will pen the script and exec produce. The project is based on an idea from Rolling Stones frontman Jagger, who conceived the entry as a film first at Disney and then at Paramount. He will exec produce with his Jagged Films partner Victoria Pearman.


Feature writer-directors Brian Koppelman and David Levien were tapped to serve as showrunners on the rock drama, but exited the project this week. Mastras would take over as showrunner on the Bobby Cannavale starrer, which is set to film the pilot in New York early next year.


COVER STORY: 'Breaking Bad's' Vince Gilligan Reveals Details of 'Saul' Spinoff and Terror Over What's Next


Mastras recently wrapped production on Bad, which ended its run with a best drama Emmy and a series-high 10.3 million viewers. As is often the case coming off of a show as well received as the Bryan Cranston vehicle, the series' six writers plus creator and showrunner Gilligan are in high demand. It is for that reason that Gilligan and Peter Gould will struggle to populate the writers room for the show's prequel, tentatively titled Better Call Saul, with fellow Bad writers, as they had hoped.


In this week's THR cover story, Gilligan opened up about the challenges of moving on, acknowledging that there is a pressure -- both internal and external -- to replicate the success he has just had on Bad. "It scares me," he told THR, accepting that he will never be able to fly under the radar again, just as he won't be able to do anything that isn't compared to Bad. He added: "The odds of winning the lottery two weeks in a row are pretty infinitesimal."


PHOTOS: 40 Years of HBO


Mastras, who is the younger brother of Mad Men writer-producer Maria Jacquemetton, is repped by CAA and Dan Halsted at Manage-Ment. He worked on all five seasons of Breaking Bad and was nominated for Emmys in 2010 and 2012. He's a two-time WGA Award winner for his work on the series. He began writing for television in 2006 on the ABC procedural The Evidence. He next will pen feature 90 Church for Universal Pictures.



Source: http://feedproxy.google.com/~r/thr/television/~3/JnLc_R8QxLg/story01.htm
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WikiLeaks Gets A Hollywood Gloss In 'Fifth Estate'





Benedict Cumberbatch (left), sporting the white-blond mop of the real Julian Assange, and Daniel Bruhl, who plays Daniel Domscheit-Berg, take on the story of WikiLeaks in The Fifth Estate.



Frank Connor/DreamWorks II


Benedict Cumberbatch (left), sporting the white-blond mop of the real Julian Assange, and Daniel Bruhl, who plays Daniel Domscheit-Berg, take on the story of WikiLeaks in The Fifth Estate.


Frank Connor/DreamWorks II



The Fifth Estate


  • Director: Bill Condon

  • Genre: Drama

  • Running Time: 128 minutes

Rated Rated R for language and some violence


With: Benedict Cumberbatch, Daniel Bruhl, Laura Linney



The saga of Julian Assange and WikiLeaks is too large a data dump for a two-hour drama. Yet director Bill Condon seeks to complicate as well as simplify in The Fifth Estate, an entertaining if inevitably unreliable current events romp.


The opening credits present a pocket history of textual communication, from cuneiform to the Internet. Condon, who took a similarly breathless approach with Kinsey, is announcing that his subject is nothing less than how the Web transformed communication.


That is indeed one thread of Josh Singer's script, derived from two books on Assange and his organization. But the movie's spine is the relationship between the white-haired Australian (eerily embodied by Benedict Cumberbatch) and the author of one of those tomes, Daniel Domscheit-Berg (Daniel Bruhl).


The two meet at a 2007 hacker convention in Berlin, and Domscheit-Berg (under the alias Schmitt) quickly becomes WikiLeaks' chief lieutenant. Even he doesn't know that at first, because the self-dramatizing Assange claims to have many associates. But they, like much of the operation, are fiction.



Intent on the title's conceit that the Web has supplanted traditional journalism's role as the "fourth estate" of civil society, Condon periodically presents WikiLeaks as a newsroom, sometimes busy and sometimes nearly deserted. When Berg realizes he's been electronically conversing with several pseudonyms for Assange, the place fills with multiples of a lank-haired, long-faced Cumberbatch. WikiLeaks, in style if not in substance, is The Matrix.


Angry at being deceived, Berg nonetheless remains with Assange and even recruits a friend and fellow computer savant (Moritz Bleibtreu). They and a few others expose political murders in Kenya, Scientology's esoteric doctrines, banking scandals in Iceland and Switzerland. In 2010 comes the classified U.S. information about military activities in Afghanistan, not to mention a quarter million State Department cables.


These massive releases bring WikiLeaks into a fraught alliance with three newspapers, personified on-screen principally by David Thewlis as a reporter for the U.K.-based Guardian. It also rattles the Obama administration, as embodied in composite characters played by Anthony Mackie, Stanley Tucci and Laura Linney.





The film's core narrative is driven by the intense relationship between Assange and Domscheit-Berg, but it also ventures into a subplot involving U.S. officials (Laura Linney and Stanley Tucci) dealing with the consequences of WikiLeaks' disruptive data dumps.



Frank Connor/DreamWorks II


The film's core narrative is driven by the intense relationship between Assange and Domscheit-Berg, but it also ventures into a subplot involving U.S. officials (Laura Linney and Stanley Tucci) dealing with the consequences of WikiLeaks' disruptive data dumps.


Frank Connor/DreamWorks II


In a subplot that attempts to illustrate the real-world effects of WikiLeaks' failure to redact documents, Linney's veteran diplomat hurries to extract from Libya a no-longer-confidential source (Alexander Siddig). But Cumberbatch's portrayal of a mercurial, megalomaniacal Assange conveys recklessness more pungently than this cinematic side trip to Libya.


Like most films that attempt to visualize the Internet's 0's and 1s, The Fifth Estate flashes letters and numbers on the screen, sometimes lashing them with simulated glitches. But the movie doesn't just strive to convey the speed of digital communication. It also sends its principal characters hopping from city to city, continent to continent, restlessly on the move. (One sign that this is a Hollywood product: Nobody gets stuck on the tarmac, or even has to wait for a taxi.)


The movie sketches its version of Assange's back story with rough strokes: several childhood years spent in an Australian cult, a teenage hacking adventure that took him into NASA computers and almost to jail. To comprehend this history lesson, it would help to read up in advance, or at least watch We Steal Secrets, Alex Gibney's Assange documentary.


Condon himself shifts to the documentary format at the end, offering quick notes on Assange's current situation — including the only mention of sexual assault allegations leveled against him — and short clips from an interview.


In one of these, the Wiki man denounces the movie he expects Condon to make. It might seem gracious of the director to let Assange end the film by damning it. But as The Fifth Estate excitedly illustrates, in the Internet age no one can ever really have the last word.


Source: http://www.npr.org/2013/10/17/234675830/wikileaks-gets-a-hollywood-gloss-in-fifth-estate?ft=1&f=
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Jessica Simpson & Eric Johnson: Lovers in Capri

Thoroughly enjoying their time away from the kiddos, Jessica Simpson and Eric Johnson stepped out for some sightseeing in Capri, Italy on Thursday (October 17).


The “With You” singer donned a black and white tweed jacket with a low-cut top and black trousers as she held her handsome fiancĂ©’s arm and scouted locations for their upcoming wedding.


An insider told press that Jessica and Eric will get married at the Giardini D’Augusto near Faraglioni. “They came to Capri for their first trip together. It’s a special place for them.”


Simpson previously told press that Johnson couldn’t wait to pop the question mere months after they started dating. “He had talked to my mom and dad and my sister three weeks before he asked me. I can't believe all the Simpsons kept a secret.”


Source: http://celebrity-gossip.net/jessica-simpson/jessica-simpson-eric-johnson-lovers-capri-944543
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Jackson Leads Revamped Detroit Lineup To 7-3 Win


DETROIT (AP) — Jim Leyland dropped Austin Jackson to eighth in the batting order, hoping to relax the slumping Detroit outfielder.


So naturally, Jackson's first plate appearance came with the bases loaded. After drawing a four-pitch walk to force in a run, he finally felt a little more at ease.


A revitalized Jackson delivered in Leyland's revamped lineup as the Tigers built a big lead and held on this time, beating the Boston Red Sox 7-3 Wednesday night to even the AL championship series 2-all. Detroit scored five runs in the second inning, the first coming home on Jackson's walk.


"It was a big situation right there to try to get something done," Jackson said. "I think after I'd seen a couple of pitches I was able to kind of just take some deep breaths and relax a little bit — and not worry so much about the result, just try to get a good pitch."


Jackson finished with two singles and two walks. He was 3 for 33 with 18 strikeouts in this postseason before Wednesday.


Torii Hunter had a two-run double and Miguel Cabrera drove in two runs after Leyland moved the slumping Jackson out of the leadoff spot and bumped almost everyone else up a place following the Tigers' 1-0 loss in Game 3. The Detroit manager was quick to deflect credit afterward.


"This has nothing to do with Jim Leyland, this is about the players," Leyland said. "They executed, they came out, they played well."


Jackson's bases-loaded walk off Jake Peavy in the second seemed to be a relief for most of Comerica Park. Another strikeout could have derailed the rally, but instead the Tigers broke the game open.


Doug Fister, meanwhile, provided another fine outing for Detroit. He allowed a run in six innings, and the Tigers' starting pitchers have yielded only three runs in 27 ALCS innings — and struck out 42.


After blowing a 5-0 lead in Game 2, Detroit kept the Red Sox at bay Wednesday.


Game 5 is Thursday night in Detroit. The Tigers' Anibal Sanchez faces Boston's Jon Lester in a rematch of Game 1, which was won by Detroit 1-0.


Jacoby Ellsbury had four hits for the Red Sox on Wednesday, finishing a homer shy of the cycle, but now it's Boston manager John Farrell fielding questions about whether a lineup shakeup is in order after another tough night against Detroit's pitching.


"The one thing that we've maintained is a constant approach with the lineup and not creating further uncertainty," Farrell said. "I think our guys have responded well to that."


The Tigers lost Games 2 and 3, wasting gems by Max Scherzer and Justin Verlander. Leyland left Jackson in the lineup but changed the batting order. Jackson hit eighth, and with others moving up a spot, it made for an odd-looking lineup. Hunter hit leadoff for the first time since 1999 and Cabrera was second for only the third time in his career — first since 2004.


"That was pretty good. He switched things up, kind of shake it up a little bit," Hunter said. "It gave us a different mindset. Miggy hitting second, me leading off. It gave us a different mindset to make things happen."


Leyland indicated his batting order would remain the same in Game 5 — but will he be doing anything special with the lineup card from Wednesday's game?


"I'll throw it away, unless I can sell it to some bar on the way home," he said.


Jackson found himself batting in a crucial situation right away in the second. Peavy walked him to force home the game's first run.


The Red Sox had a chance to halt that rally when Jose Iglesias hit a potential double play grounder to second, but Dustin Pedroia couldn't field it cleanly and Boston had to settle for a forceout at second that brought another run home.


"That was my fault. We've got to turn that double play," Pedroia said. "That ball was smoked. If I catch it, we're getting two."


Hunter followed with a double down the line in left to make it 4-0, and Cabrera added an RBI single.


After walking three batters in the second inning, Peavy was in trouble again in the fourth. After a leadoff double by Omar Infante, Jackson slapped a single past a diving Pedroia to bring home a run.


"It felt good to contribute to a win," Jackson said. "Just get a chance to go out there and not put so much pressure on yourself, just have fun."


Cabrera's single made it 7-0, and the Detroit third baseman — who has been running even slower than usual over the last month or so because of groin problems — caught reliever Brandon Workman and the Boston defense napping when he stole second without a throw.


In the fifth, Cabrera looked healthy enough when he charged Pedroia's slow grounder, barehanded it and threw to first for the out.


Peavy allowed seven runs and five hits in three-plus innings.


Detroit blew a 5-0 lead in Game 2 — with the bullpen responsible for most of the damage— and Cabrera and Prince Fielder both struck out with runners at the corners in the eighth inning of Game 3. The tension was building in Motown, but the defending AL champions jumped out to an early lead Wednesday.


David Ortiz's tying grand slam in Game 2 off Detroit closer Joaquin Benoit kept the Tigers from sweeping the first two games at Fenway Park.


Detroit went to Benoit in the ninth Wednesday with a 7-2 lead, and Ellsbury hit an RBI triple with none out. But Benoit struck out Shane Victorino, ensuring that Ortiz wouldn't be able to bat as the tying run later in the inning.


When Ortiz did come up for his rematch with Benoit, there was only one man on. The Boston designated hitter took another mighty swing, but his high fly to right was caught easily.


Detroit had taken a no-hitter into the fifth inning of its previous four games. Pedroia's single in the first put an end to that streak, but the Red Sox didn't do much against Fister.


Boston had a chance to score first in the second. Mike Napoli, whose homer accounted for the only run of Game 3, led off with a double off the tip of Cabrera's glove and went to third on a groundout. Cabrera caught Jarrod Saltalamacchia's foul popup against the railing of the Detroit dugout, and Fister struck out Stephen Drew.


After the Tigers scored five in the second, Boston put two on for Ortiz in the third. He pulled a grounder into Detroit's shifted defense for the third out.


Saltalamacchia hit an RBI single in the sixth, but Fister got out of a two-on, one-out situation after that. The right-hander allowed eight hits and a walk, striking out seven.


Victorino hit an RBI double in the seventh to make it 7-2.


NOTES: The Boston bullpen, which has been outstanding in this postseason, worked five scoreless innings. ... Drew Smyly got five outs in relief for Detroit, helping the Tigers get the game to Benoit.


Source: http://www.npr.org/templates/story/story.php?storyId=235908952&ft=1&f=
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